LOQUITUR: En Ezra Pound.
They imprisoned this man in a hell-hole for that he was a traitor.
The scene is at the end of his life.
Mavis Gallant’s introduction to Home Truths quotes Boris Pasternak: “Only personal independence matters” (xi). The importance of personal independence is a driving theme in Morley Callaghan’s “One Spring Night” and “A Wedding Dress,” which respectively explores opposite ends of romantic relationships: young Sheila is on her first date with Bob, while the aging Miss Schwartz is finally getting married to Sam after fifteen years of engagement. By its very definition, a relationship is the antithesis of independence—a problem that becomes increasingly evident for Sheila and Schwartz. Continue reading
Erin Mouré’s “The Beauty of Furs” and “The Beauty of Furs: A Site Glossary” are complementary poems, with the latter explaining and expanding upon the former. In “The Beauty of Furs,” Mouré’s presumably female persona discusses fur with younger girls. The persona and the younger girls have markedly different understandings of the beauty of furs: the persona associates fur with a host of images and memories; while the younger girls only see fur for its superficial appearance. “The Beauty of Furs: A Site Glossary” decrypts the metaphor in “The Beauty of Furs”: “Later you realize it is a poem about being born” (Mouré 595). But there is a reason that Mouré made “The Beauty of Furs: A Site Glossary” a separate poem—to understand “The Beauty of Furs” in a non-metaphoric sense is to connect with Mouré on a much more personal and literal level.
Last year, I wrote a satirical article for Leacock’s about how discriminatory Movember is.
This year, the McGill Daily published a serious article about how discriminatory Movember is.
Below, I have compiled a list of quotes–half of them are from my satire, the other half are from the serious Daily. Try and see if you can tell which are satire, and which are real.
It is the title that boldly proclaims the object and subject in Margaret Atwood’s poem: “This is a Photograph of Me.” But while the poem speaks in a simple and straightforward language, Atwood is nonetheless able to obscure almost all meaning. Atwood’s talent lies in creating an image in the reader’s mind, which begins to unravel and multiply. The reader is given the photograph, which is revealed to be polysemic in form and content, and must then confront his own singular understanding of existence and reality.